It's
every company's nightmare: You own a trademark and discover that
someone else has purchased it as a domain name. What's worse, the
"cybersquatters" want you to pay a large sum just to get
the name back. You're worried about what some strangers might do to
your company's good name.
There
is some legal relief. Under a U.S. federal law known as the Anti-Cybersquatting
Consumer Protection Act (ACPA), you can win your domain name back.
Or you can initiate arbitration proceedings under a program operated
by the Internet Corporation of Assigned Names and Numbers (ICANN).
Cybersquatting
is possible because the registries that sell domain names operate on
a "first-come, first- serve" basis. They don't check to
see whether a domain name belongs to someone else before it's
issued. The registrant has the responsibility to make sure that the
domain name does not infringe or violate someone else's rights.
The
ACPA was passed during the waning days of the Clinton Administration
in response to an epidemic of cybersquatting. The law places great
emphasis on the principle that cybersquatters have "bad faith
to profit" by commercially using a domain or selling it back to
its rightful owner.
But
in one case, a court found that the company that makes Gallo wines
was a victim of cybersquatting despite the fact there was no attempt
to sell the domain or commercially exploit it. In the case, the
defendants acknowledged that they engaged in domain name speculation
through Spider Webs Ltd., which is based in Texas. They acquired
more than 2,000 names, including 300 of them associated with
well-known business trademarks like oreocookies.com and
firestonetires.com. One of the defendants admitted that "ernestandjuliogallo.com"
was valuable due to the goodwill that Gallo developed in its name.
After
Spider Webs refused Gallo's requests to transfer the domain name,
Gallo filed suit. A short time later, Spider Webs used the disputed
domain name to publish "The Whiney Winery" Web site that
was critical of Gallo. But the site did not commercially exploit the
domain.
The
defendants didn't appeal the district court's ruling that Gallo's
trademark "Ernest & Julio Gallo" is famous and
distinctive. Instead, the defendants argued for reversal on the
grounds that they did not act with "bad faith intent to
profit" under the ACPA.
In
a well-reasoned opinion, the appeals court upheld the lower court
decision, despite the complete lack of commercial activity. The
court concluded that seven of the nine statutory factors set forth
in the law favored a finding of bad faith, based in part on the fact
that the defendants:
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Were admittedly engaged in the business of
selling domain names.
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Failed to use the domain name until after the
lawsuit was filed and then used the domain name
-
Admitted that they hoped the plaintiff would
contact them to provide services.
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Prevented Internet users from reaching the
plaintiff through the domain name.
The
decision was a victory for trademark owners. In addition to a $25,000 award in
statutory damages, the court stated that the actions of Spider Webs put Gallo
"at risk of losing business and of having its business reputation
tarnished."
David Ward, CEO
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Greetings!
Welcome back to the Delta Recovery Systems monthly newsletter. We're
turning up the heat as Summer is here in full force. This month we'll
show our appreciation for what is the backbone of our industry, and also
demonstrate some of the industry's lesser known benefits. We'll also
play the "name game" as it pertains to the Internet era, and
look at one of the entertainment industry's greats. As always, we
welcome any comments, suggestions and/or questions you may have
concerning our newsletter and industry issues in general.
Comments, Suggestions and Feedback
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Nobody,
with the possible exception of the second and third
generation owners of agencies, ever graduated from their
particular Institute of Learning or, for that matter, entered
one saying "I am going to be a bill collector!" Let's
face it; we don't get the respect that we deserve. How many of
us have been at social gatherings and have been asked "What
do you do for a living?" In the early days of my career in
debt collection, I used to try to evade that question by saying
something vague like "I work in credit", and hope that
whomever I was speaking with would simply accept it and go away.
Now, in my third decade in this business, I say "I own a
collection agency". The reactions that statement solicits
are amazing. The most common is "Gee, I hope you don't have
my name". My usual reply to that is "I don't know, but
I'll check on Monday morning."
There
are people that are actually willing to continue the
conversation after finding out my occupation. I then go into the
specifics, explaining that mine is a commercial collection
agency. Of course I then have to explain the difference between
consumer and commercial agencies. With no offense meant to our
consumer agencies, the average person is less likely to know how
a commercial agency operates. Some of them probably know first
hand how consumer agencies operate, the others just know what
they hear from disgruntled debtors, but the guy hiding under the
couch is probably the subject of your skip trace department.
What
these people do not realize is that the collection industry
serves an important role in the U.S. economy by recovering
billions in revenue for U.S. companies. Our industry saves the
average American citizen somewhere between $300 and $400 each,
per year. The average citizen saves hundreds of dollars but
recoils when meeting a debt collector. What's wrong with that
picture? We have a gigantic public relations problem. The
general public sees bill collectors as the enemy. That couldn't
be further from the truth. Now I'm not saying that we're all
warm and fuzzy, but we certainly aren't the bad guys. The
problem is that the wide-ranging perception is that we are
trying to repossess children's lunchboxes, with the PB&J
still inside! I know I'm preaching to the choir, but all we are
doing is enforcing the promise that these people (our debtors)
made when they obtained the goods and services for which they
now have not paid.
Credit
is simply based upon a promise to pay. When we get involved,
someone broke a promise. That broken promise, if not enforced,
will lead to a write off (see "billions" previous
paragraph) by the credit grantor. The credit grantor, a business
itself, will somehow have to make up that loss. The way the loss
is usually made up is that it is passed on to the good paying
customers in the form of a price increase. We all know that that
price increase will keep rolling downhill until it lands in the
consumer's pocket. The same holds true with consumer debt. It's
something of a vicious cycle. We are the line of defense. We are
holding those potential write offs to a minimum. We are keeping
the cost of living down. OK, maybe that's stretching it a bit,
but I'm sure we are responsible for holding it down a
percentage.
It
is up to you, the Collection Professional, to begin to change
that broad perception. You and I cannot do it overnight. The
journey is long and challenging, yet even the longest journey
begins with a first step. In order to travel we must embark. We
must commit to movement, to action, and to change.
A
simple first step would be to show this article to your
employees, especially your collectors. Maybe they'll hold their
heads a little higher the next time someone asks "What do
you do for a living?"
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"The
way to get started is to stop talking and start doing."
Walt
Disney (1901-1966) movie producer and showman
Too
many of us spend, not invest, an awful lot of time talking and
meeting to discuss how things should be done. Maybe if we took
Walt's advice, we'd actually get more done each day.
Walt
Disney is a legend; a folk hero of the 20th century. Arguably,
his is the most well known name in entertainment in the history
of the world. His worldwide popularity was based upon the ideals
which his name represents: imagination, optimism, creation, and
self-made success in the American tradition. He brought us
closer to the future, while telling us of the past, it is
certain, that there will never be such as great a man, as Walt
Disney.
American
entrepreneur, Walt Disney was born on December 5, 1901 in
Chicago Illinois, to his father Elias Disney, and mother Flora
Call Disney. Walt was one of five children, four boys and a
girl. After Walt's birth, the Disney family moved to Marceline
Missouri, Walt lived most of his childhood here.
Walt
had very early interests in art, he would often sell drawings to
neighbors to make extra money. He pursued his art career, by
studying art and photography by going to McKinley High School in
Chicago.
Walt
began to love, and appreciate nature and wildlife, and family
and community, which were a large part of agrarian living.
Though his father could be quite stern, and often there was
little money, Walt was encouraged by his mother, and older
brother, Roy to pursue his talents.
During
the fall of 1918, Disney attempted to enlist for military
service. Rejected because he was under age, only sixteen years
old at the time. Instead, Walt joined the Red Cross and was sent
overseas to France, where he spent a year driving an ambulance
and chauffeuring Red Cross officials. His ambulance was covered
from stem to stern, not with stock camouflage, but with Disney
cartoons.
Once
Walt returned from France, he began to pursue a career in
commercial art. He started a small company called Laugh-O-Grams,
which eventually fell bankrupt. With his suitcase, and twenty
dollars, Walt headed to Hollywood to start anew.
After
making a success of his "Alice Comedies," Walt became
a recognized Hollywood figure. On July 13, 1925, Walt married
one of his first employees, Lillian Bounds, in Lewiston, Idaho.
Later on they would be blessed with two daughters, Diane and
Sharon .
In
1932, the production entitled Flowers and Trees (the first color
cartoon) won Walt the first of his studio's Academy Awards. In
1937, he released The Old Mill, the first short subject to
utilize the multi- plane camera technique.
On
December 21, 1937, Snow White and the Seven Dwarfs, the first
full-length animated musical feature, premiered at the Carthay
Theater in Los Angeles. The film produced at the unheard cost of
$1,499,000 during the depths of the Depression, the film is
still considered one of the great feats and imperishable
monuments of the motion picture industry. During the next five
years, Walt Disney Studios completed other full-length animated
classics such as Pinocchio, Fantasia, Dumbo, and Bambi.
Walt
Disney's dream of a clean, and organized amusement park, came
true, as Disneyland Park opened in 1955. Walt also became a
television pioneer, Disney began television production in 1954,
and was among the first to present full-color programming with
his Wonderful World of Color in 1961.
Walt
Disney proved that you don't need to be wealthy to be
successful, just driven.
David
Ward, CEO
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